11 results
S Z
Simon Zagorski-Thomas
Employment
| Organisation | Role | Department | Start date | End date |
|---|---|---|---|---|
| University of West London | Not specified | Not specified | ||
| 21st Century Music Practice Research Centre | Director | Not specified | 2026-01 |
Education
No history available.
Works
| Title | DOI | Published date |
|---|---|---|
| Community-Based Research Methodology for Emergent Practice-Based Questions v1 | 10.17504/protocols.io.36wgq1ye3vk5/v1 | 2026-02-16 |
| Creative Strategies for Musical Practice | 10.57874/7xm9-6k62 | 2026 |
| Creative Use of Guitar Tuning - Bromley and Mazanek | 10.57874/yvk4-as08 | 2026 |
| Creative Use of Guitar Tuning - Kate Lewis and Adrianos Pandis | 10.57874/gnp7-ep12 | 2026 |
| Creative Use of Guitar Tuning - Kate Lewis and Adrianos Pandis | 10.57874/6t7s-dk24 | 2026 |
| Creative Use of Guitar Tuning - Sobhanasiri and Ironside | 10.57874/6k74-4q39 | 2026 |
| Creative Use of Guitar Tuning Research Challenge | 10.57874/1r38-jq39 | 2026 |
| Extended Techniques and Performance | 10.57874/mk8s-0817 | 2026 |
| Technology and musical creativity | 10.57874/f7e2-jh73 | 2026 |
| The Influence of Technology on Musical Instruments & Their Use | 10.57874/4bbe-nd75 | 2026 |
| The Study of 21st Century Music Practice | 10.57874/01f7-1g97 | 2026 |
| Two Participant Online Practice Research Challenge: Collaborative Practice Exploration Through Video Exchange | 10.57874/05jf-ax25 | 2026 |
| Theorizing Aesthetics in a Practical Musicology | 10.1386/9781835951033_5 | 2025-06-23 |
| Valuing the Surplus: Perspectives on Julian Horton's Article ‘On the Musicological Necessity of Music Analysis’, Musical Quarterly, 3/i–ii, pp. 62–104.Contributors: Kofi Agawu, Gurminder K. Bhogal, Esther Cavett, Jonathan Dunsby, Julian Horton, Alexandra Monchick, Ian Pace, Henry Stobart and Simon Zagorski‐Thomas, compiled and edited by Esther Cavett | 10.1111/musa.12221 | 2023-10 |
| Practice Research Special Issue Editorial | 10.5429/2079-3871(2023)v13i1.1en | 2023-07-28 |
| Le Grand Kallé and African Jazz—“Indépendance Cha Cha” (1960) | 10.4324/9781003093206-2 | 2022-08-12 |
| Practical Musicology | 10.5040/9781501357824 | 2022 |
| The space of the record: Something happening somewhere | 10.5040/9781501336317.ch-018 | 2022 |
| Classical Music Hyper-Production: Haydn Piano Sonata in C Major | No DOI available. | 2020-01-06 |
| Recorded MusicSimon Zagorski-Thomas | 10.5040/9781501334054.ch-002 | 2020 |
| Studio Practice and Organization in Rock Music | 10.5040/9781501330483.ch-020 | 2020 |
| Haydn in modern dress | 10.4324/9781315467658-13 | 2019-07-01 |
| Introduction | 10.4324/9781315467658-1 | 2019-07-01 |
| The Art of Record Production | 10.4324/9781315467658 | 2019-07-01 |
| Setting the Agenda: Theorizing Popular Music Education Practice | 10.5040/9781350049444.ch-002 | 2019 |
| The Spectromorphology of Recorded Popular Music | 10.1093/oso/9780199985227.003.0016 | 2018-10 |
| Analysing the Product of Recorded Musical Activity | 10.4324/9781315544700-8 | 2018-09 |
| Timbre As Text | No DOI available. | 2018-01 |
| Analysing the product of recorded musical activity | 10.4324/9781315544700 | 2018 |
| Directions in music by miles davis: Using the ecological approach to perception and embodied cognition to analyze the creative use of recording technology in bitches brew | 10.1353/tech.2018.0088 | 2018 |
| Timbre as text: The cognitive roots of intertextuality | No DOI available. | 2018 |
| Creating a rubato layer cake: performing and producing overdubs with expressive timing on a classical recording for solo piano | No DOI available. | 2017-03-01 |
| The Ecological Approach To Mixing Audio: agency, activity and environment in the process of audio staging | No DOI available. | 2017-03-01 |
| Simon Zagorski-Thomas , The Musicology of Record Production (Cambridge: Cambridge University Press, 2014), ISBN: 978-1-107-07564-1 (hb). | 10.1017/s1478572216000086 | 2016-08 |
| The Art of Record Production | 10.4324/9781315612638 | 2016-04-01 |
| Real and Unreal Performances | 10.4324/9781315596983-12 | 2016-04 |
| Sonic Cartoons | 10.7551/mitpress/9975.003.0052 | 2016-03-11 |
| The Art of Record Production: An Introductory Reader. Edited by Simon Frith and Simon Zagorski-Thomas . London: Routledge, 2013. 328 pp. ISBN 9781409406785 | 10.1017/s0261143016000738 | 2016 |
| The Sound of Innovation: Stanford and the Computer Music Revolution by Andrew J. Nelson | 10.1353/tech.2016.0140 | 2016 |
| The Musicology of Record Production. By Simon Zagorski-Thomas. Cambridge: Cambridge University Press, 2014. 269 pp. ISBN 978-1-107-07564-1 | 10.1017/s0261143015000732 | 2015-11 |
| The Art of Record Production: An Introductory Reader for a New Academic Field. Ed. by Simon Frith and Simon Zagorski-Thomas. | 10.1093/ml/gct126 | 2014-05-05 |
| Introduction to Production Technologies and Studio Practice in Electronic Dance Music Culture | 10.12801/1947-5403.2014.06.01.00 | 2014 |
| The Musicology of Record Production | 10.1017/cbo9781139871846 | 2014 |
| Musical meaning and the musicology of record production | No DOI available. | 2013 |
| The Art of Record Production: An Introductory Reader for a New Academic Field (eds. Simon Frith and Simon Zagorski-Thomas) | 10.12801/1947-5403.2013.05.01.06 | 2013 |
| Introduction | No DOI available. | 2012 |
| The US vs the UK sound: Meaning in music production in the 1970s | No DOI available. | 2012 |
| The art of record production: An introductory reader for a new academic field | No DOI available. | 2012 |
| The stadium in your bedroom: functional staging, authenticity and the audience-led aesthetic in record production | 10.1017/s0261143010000061 | 2010-06 |
| Real and unreal performances: The interaction of recording technology and rock drum kit performance | No DOI available. | 2010 |
| The Musicology of Record Production | 10.1017/s1478572208000509 | 2007-09-01 |
| The Study of Groove | 10.1080/17411910701554013 | 2007-09 |
| Wired for Sound: Engineering and Technologies in Sonic Cultures. Ed. by Paul D. Greene and Thomas Porcello. pp. viii + 288. (Wesleyan University Press, Middletown, Conn., 2005, $65.95/$24.95. ISBN 0-8195-6516-4/-6517-2.) | 10.1093/ml/gcl011 | 2006-11-01 |
| We don't write songs. We write records: A compositional methodology based on late 20th century popular music. | No DOI available. | 2006 |
| Musical Meaning and the Musicology of Record Production | 10.14361/transcript.9783839418789.135 |
Octopus publications
Red flags raised by this user
0 results