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V S
Veronica Skrimsjö
Employment
| Organisation | Role | Department | Start date | End date |
|---|---|---|---|---|
| Liverpool Institute for Performing Arts | Lecturer | Not specified | 2020-02-01 | |
| Liverpool Hope University | Lecturer & course leader | Not specified | 2009-01-01 | 2019-08-31 |
Education
| Organisation | Degree/title | Department | Start date | End date |
|---|---|---|---|---|
| Liverpool Hope University | PhD | Not specified | 2009-01-01 | 2013-09-24 |
| University of Liverpool | MA (Hons) Popular Music | Not specified | 2007-09 | 2008-09 |
| University of Liverpool | BA (Hons) Popular Music | Not specified | 2004-09 | 2007-06 |
Works
| Title | DOI | Published date |
|---|---|---|
| Analogue Echoes | 10.4324/9781003400851-4 | 2025-07-24 |
| Bengans | 10.4324/9781003400851-6 | 2025-07-24 |
| Conclusion | 10.4324/9781003400851-8 | 2025-07-24 |
| Cult Collectors | 10.4324/9781003400851-5 | 2025-07-24 |
| Decoding Vinyl and the Cultural Pulse | 10.4324/9781003400851-2 | 2025-07-24 |
| Introduction | 10.4324/9781003400851-1 | 2025-07-24 |
| Popular Music as Cultural Heritage | 10.4324/9781003400851-7 | 2025-07-24 |
| The Vinyl Revival, Gender, and Collecting Aesthetics | 10.4324/9781003400851 | 2025-07-24 |
| Voices in Vinyl | 10.4324/9781003400851-3 | 2025-07-24 |
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